Fiction

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“This novel is a page turner, and that accolade carries to the very last page and the very last line of the story.”

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In these days of nasty name-calling passing as humor there is thankfully one true practitioner of the literary art of satire still standing, and Christopher Buckley’s second historical novel proves

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Open the cover on this one, and off you go to the races. Instant action, instant menace, instant character introductions in deft sketches that don’t hold things up for a second.

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When you’re a cop, it’s darn hard to get a real day off. Dave Cubiak, Door County sheriff way up on Lake Michigan in Wisconsin, thinks he finally can enjoy himself on a perfect summer afternoon.

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Martha Weisberg lives a carefully crafted existence. Her days run together one like another and she finds this predictability comforting.

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Once again we're back in the slow-paced Low Country of South Carolina. Instead of the locale being the beach, we meet the English family who owns and operates a working farm.

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Robert Gleason’s new book, The Evil That Men Do, is a jumble of confusing ideas.

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“Five shining stars of fun!”

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Gonzalo Gil is a middle-aged attorney with a failing career, a fractured marriage, and a domineering father-in-law who wants him to give up his practice and work for his own powerful firm, which is

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World War II is well covered in literature and history, but in The Great Darkness, first volume in the new Nighthawks series, Jim Kelly comes up with a fresh take—at least for historical f

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Great Britain, 1923: Detective Inspector John Redfrye is a blessing to the Cambridge CID.

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Martha's Vineyard is the setting for this intriguing thriller. Glass blower Kat Weber just sold one of her creations, receiving a fortune for it.

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“a subdued chiller relating how death brings a circle of events to a halt, only to begin once more when a spirit regains admittance into the living world.”

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“a thriller wrapped in the deadly solitude of space with a determined heroine who refuses to give up.”

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In a world in which books, TV, and the media often seem to be screaming, it’s refreshing to come across a novel that remembers the value of the whisper, of subtlety, and of not having to have every

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Books about goddesses are generally lyrical, lovely—and flat. Tabloid reflections of the mindless, wealthy, beautiful women who laze around the pool at expensive spas.

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Sarah Winman's third novel, Tin Man, begins in 1950 in rural Oxfordshire, when a pregnant housewife, Dora, disobeys her husband by choosing a painting over a bottle of whisky at a charity

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“a thriller wrapped in the deadly solitude of space with a determined heroine who refuses to give up”

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“the tale of a man who’s offered what many of us say we’d like to have: a chance to do it over again, and again, and again . . .”

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“a delightful fantasy about the woman who became one of the United Kingdom’s most famous monarchs”

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Sixteen people are found brutally murdered in an illegal gambling club in Angra Dastrelas, the corrupt capital city of the corporate-owned planet Gattis.

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“Kudos to Mr. Phelan for turning out a first-rate thriller.”

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“Then again, true love required so much more than the boy-meets-girl stuff—and mutual attraction was the easy part.”

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Thoreau’s observation that “The mass of men lead lives of quiet desperation” comes to mind while reading William Trevor’s short stories.

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How does one review a book with no ending?

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