Grief. It is a freighted word—laden with the weight of sorrow and loss. Grief. It is a universal emotion yet so individually experienced and expressed.
In a nation of immigrants, at a time when immigration is the hot topic, it is refreshing to read a novel in which hyphenated Americans have a chance, without political scrutiny, to express the tug
Three-dimensional chess barely conveys the multiple levels, breadth, and ambition that comprise Book of Numbers, Joshua Cohen’s epic of the Internet age and fourth novel.
The Festival of Insignificance, 86 year old Czech-French writer Milan Kundera’s new and possibly last work of fiction after a 13-year hiatus, presents many of the features—a thin plot and
This is a superb novel: luminous and illuminating. You’ll gallop through every page and then read it again. British author Sarah Hall is a writer’s writer . . . as well as a reader’s best friend.
Once again we are invited to the quaint, fictitious seacoast town of Marshbury, Massachusetts, and into the lives of the Irish close-knit Hurilhy family.
But for a few years in the early nineties, when a combination of big new rackets, big new servers, dogmatic coaching, and fast courts made it all rather boring (for spectators and, quite possibly,
It’s summertime, so the living should be easy, right? Well, not so much for Sophie Anderson, the heroine of Nancy Thayer’s new beach book, The Guest Cottage.
Kate Atkinson is a brilliant novelist, an historian, a tease, a practical joker; she’s empathetic, adventuresome, erudite. By now she's also probably quite wealthy . . . and with good reason.