Fiction

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“Craig Johnson is one of the best in the business, and the Walt Longmire series never fails to satisfy.”

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The Fraud is a brilliant pastiche. It is clever, often entertaining, well-researched . . .”

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There is something to be said about a book that has survived the test of time. Sweetbitter was first published in 1995 by Broken Moon Press.

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“Action is the attraction, with dollops of sex and romance.”

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graceful and eloquent and compelling.”

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“Despite the magnetic pull of eagerly described physical attraction, there’s never a moment when Alex Walton yields control over her own heart and life.”

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“Mo Willems serves up another fun book that will have young readers howling with delight.”

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“Despite its flaws, the book ultimately succeeds in getting the reader to root for Grace.”

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“Great storytellers do more than entertain. They educate, they provoke, and they challenge our preconceived notions. Stephen King is Exhibit A.”

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“Just like Halloween has a hint of menace underneath the festivities, life in Swann’s Sunset Hall mandates coming closer to grim death.”

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“Lloyd’s story has myriad twists and turns—enough to keep the reader entranced.”

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"Donoghue has created a vivid world here, the confined lives of ambitious girls, some manipulative, some kind, but all keenly aware of the social strata containing them. . . .

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“Allow this novel to float its ideas and its just—if not legal—solutions with its philosophy, and accept an end-of-summer blessing.”

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"The turnabout in Dubus’ new book is a realization by Lowe that the pit is of his own making, and he has to climb out of it himself—via acts of kindness and consideration."

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“The sense of place and the dynamics of a small town of that era are convincing and give us a glimpse of the history and culture of that period in South America.”

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“Murder on the Vine is a delightful local color mystery that will earn its place on your bookshelf next to Donna Leon and Louise Penny . . .”

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“a chilling read in which the art of the cinema very often reflects the drama of the actors’ actual lives.”

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In her most recent book, Miss Morton and the Spirits of the Underworld, author Catherine Lloyd sets the stage for a fast paced, well-written walk through London’s high society in 1838.

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Always Sisters is a pertinent tool for both adults and children as they learn to communicate and productively process their feelings together after the loss of a loved one.”

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Readers and critics alike know that Paul Murray is a natural storyteller.

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The first of Ebru Ojen’s works to be translated from Turkish to English, Lojman conducts an unflinching taxonomy of a family’s descent to oblivion.

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Not for the first time, Nan Fischer has delivered an impressive tour de force of a novel with a finely plotted storyline and a host of believable charac

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“a horror tale designed to scare the dickens out of the reader.”

When viewed from a distance, it all begins harmlessly enough.

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The 19 stories in this collection are not crime stories as we generally think of them.

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“A deep-probing, layered story undulating through the shadows of domestic violence, Tell Me What I Am is a finely wrought psychological thriller . . .”

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