As a rule, museum fashion exhibits have centered around a facet of fashion that is either tangible, immediately recognizable, or something definitively specific that really doesn’t require any sort
Words that immediately come to mind are exaggerated, fetishistic, derivative, historical, and sculptural to name a few. Guido Palau is at once artist, designer, stylist, inventor, and iconoclast.
“. . . methinks Ms. Prada doth protesteth too much, for she does make pretty clothes and does use tactilely and visually pleasing shapes and fabrics like Ms.
At the onset of this exquisitely rendered volume, one might start to think that this is one of those over-the-top, over-conceived, and over-intellectualized paeans to a designer, what with the lavi