A. E. Stallings’ reputation as a poet is already established. She has the distinction of being a McArthur Fellow (2011), that peculiar laurel that bestows “genius” on the recipient.
“Buck’s poems are startling, insightful, and inscrutable. The reader may conjecture what the poems mean but without the comfort of ever knowing. That’s good poetry.”
Katie Ford’s fourth book, If You Have to Go is full of wounded, distrustful, deeply inward yet insistent verse that, from the very first line of the first poem, seems to push readers away—
Whether it’s God or fate or karma or randomness, how should we respond when life skewers us with loss and cruel reshaping of dreams into walking nightmares?
In Rembrandt’s painting, Still Life with Two Dead Peacocks and a Girl, a child leans in the window, smiling, looking at everything the rich world has to offer her, including a bowl of frui
Linda Pastan’s new collection, A Dog Runs Through It, is about the poet’s ownership and lifetime admiration of dogs, not only as pets but also as friends and teachers.
Richard Elman (1934–1997) was a major figure in literary circles of the latter part of the last century, a consequential presence in our culture’s “scene.” Known primarily as a novelist—for such no
Kiki Petrosino’s Witch Wife invites us to enter into a feminine, private world of post-puberty anxieties, love relationships, and nostalgia in which the desire for and fear of motherhood a
“Thousands is an experimental confession that discards pedestrian forms to challenge the reader with unique, creative points of view to discover the writer within.
