“Otto Jakob: Ripe Fruit is just this fascinating exploration of art, design, and craftsmanship that can actually be classified as stand-alone within the genre.”
This reviewer had no idea what to expect from Pharrell: A Fish Doesn'tKnow It's Wet coupled with no idea why Pharrell Williams has anything to say about anything other than his m
If ever there was or is a book that presents a conundrum for a reviewer, this is it; Stephanie Pfriender Stylander: The Untamed Eye is a mystery in so many ways.
Do not be misled by the title of the book as most prospective readers will be expecting a large monograph filled with a plethora of glossy images using clothes from the Chanel archive.
René Lacoste created probably the most ubiquitous and enduring brand logo that comes to mind; decades before there was Ralph Lauren’s polo pony there was the Lacoste alligator.
The recipe for the success of this monograph is equal parts Giles Deacon (brilliantly talented and visionary designer), Katie Grand (muse, editor and stylist for the biggest names in fashion) and
Having reviewed six books dealing with the life of the Alexander McQueen and his oeuvre, it can be said that Rasmussen brings nothing new to the table.
Before the prospective reader even opens Guo Pei: Couture Beyond, they need to be aware that this is not so much about haute couture but rather about the art and craft of haute couture; th
Charles James: Portrait of an Unreasonable Man must be examined and evaluated on multiple levels: there is James the genius; James the spoiled narcissist; James the master networker; the s
It is a rare, if not an improbable occurrence, that a reader/reviewer/fashionphile can call a monograph such as Olivier Theyskens: She Walks in Beauty a haunting, moody, poetic, and yet wi
There are libraries filled with books that celebrate the glories of fashion, but there are scant few books that can sit beside Norell: Master of American Fashion.
This is a book that “serves two masters.” Obviously, by its title, it is a book that chronicles the oeuvre of Martin Margiela during his tenure as creative director at Hermès as well as serving as
Bravo to Elisa Goodkind and Lily Mandelbaum for proffering both a “manifesto” of sorts as well as compiling a celebration of the independent spirit when it comes to how we present ourselves to the
