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    This is a new publication of a mid-twentieth century work that will introduce a whole new generation to one of the greatest adventure stories ever.

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    “Some books are great, and this is one of them.”

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    “‘I dedicate this book to everyone who helped create its contents in any way, including the assholes.’”

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    “You will find poetry in objects. . . . The layering of the storytelling is as rich as a frosted cake.”

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    “While the reader can feel compassion for Ms. Janowitz . . . he would not wish in a million years to . . . ever again read another volume of her memoirs.”

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    “You will end up in love with Olive because she is a ton of well-written fun. You’ll enjoy her musings and put-downs and her reflections.

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    “Schickel’s prose and her story are brutal even as they are compassionate, raw even as they are elegant, hopeful even as they are tragic.”

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    “beautifully identifies kindness as an endlessly renewable resource—the light we all can shine on the lives of others and in so doing bathe in its grace ourselves.”

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    “. . . this book is a remarkably compassionate story of emotional family horror from which neither uncle nor niece could easily escape.”

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    Immigration is often associated with economic opportunity and upward mobility, but frequently immigration results in loss of status and, for the immigrants themselves, downward mobility.

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    “. . . high praise.”

    The title The Golden Ticket is taken from Roald Dahl’s Charlie and the Chocolate Factory.

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    The inside cover flap of Life, the much-anticipated memoir by Keith Richards, carries a note, in Richards’ handwriting: “This is the Life.