Readers of the English language might take one look at words such as Cwmystradllyn, Tre’r Ceiri, Moelwynion, Gwastadnant, and Llanfairpwllgwyngyll and turn around, hands in the ai
“Classy and scholarly, punchy and approachable, Jean Dubuffet and the City demonstrates what future research and curating could offer to the next generation of art history publicat
Before even opening the book what struck this prospective reader is that barely any other designer/brand has been afforded such a comprehensive “catalog” of each and every one of their collections.
René Lacoste created probably the most ubiquitous and enduring brand logo that comes to mind; decades before there was Ralph Lauren’s polo pony there was the Lacoste alligator.
Published to coincide with the first major Berthe Morisot international exhibition in decades, if ever (this is, in fact, the first exhibition of its kind to be held in Canada), Berthe Morisot,
Jess Berry tries to convey to the reader the links between fashion, interiors (salons/shops) and modernism: (modern artistic or literary philosophy and practice; especially: a self-conscious break
In 1997 Eugène Delacroix (1798–1863) scholar Barthélémy Jobert published a monograph to honor the 200th birthday of this perplexing 19th century painter.
John S. Dixon seems the perfect person to write The Christian Year in Painting as an art historian, professor, and the arts correspondent for a Catholic newspaper.
Having an almost borderline addiction to leopard print and all of its cousins this reader/reviewer was more than excited and looking forward to have this book in his hands to read and review.
The recipe for the success of this monograph is equal parts Giles Deacon (brilliantly talented and visionary designer), Katie Grand (muse, editor and stylist for the biggest names in fashion) and
From its title and front cover one might expect that what awaits will be some historical romp through fashion starting with the second half of the 20th century concluding in today’s world of fashio
What is abundantly clear from almost the beginning of this book is that Andy Peake has gone far and beyond what Made for Walking might have been if he had not extensively and adeptly resea
“an empathetic, timely, and thought-provoking collection of memorable photographs documenting the entire experience of illegal immigration across our southern border from beginning to end.”
